The John Coplans Trust

The John Coplans Trust Archive at The Yale Center for British Art Reference Library

An ongoing archive project donated by the John Coplans Trust.

Includes original exhibition catalogues 1967—2016; books featuring critical texts written by John Coplans; books featuring critical writing on the work of John Coplans.

This website and its content is linked to Orbis, the Yale University Library Catalogue online. To search the Yale archive for John Coplans materials, visit the Orbis catalogue here.

Scans and photocopies of the archival materials at the Research Library are available to the public.

 FULL BIBLIOGRAPHY

THE JOHN COPLANS TRUST ARCHIVE, THE YALE CENTER FOR BRITISH ART REFERENCE LIBRARY

__________________________________________________________________________________________________________________

1. John Coplans: Self Portrait Finger, Andrea Rosen Gallery, c1999

2. John Coplans: Autoportraits, Centre Georges Pompidou, c1994

3. John Coplans Self Portrait: Hand/Foot, Museum Boymans-van Beuningen Rotterdam, c1991

4. Hand 2: John Coplans, Galerie Toner, c1994

5. A Body of Work: John Coplans, Printed Matter, c1987

6. A Body of Work: Photographs by John Coplans, San Francisco Museum of Modern Art/The Museum of Modern Art, c1988

7. Body, Salina Art Center, c1999

8. John Coplans: Mains, Nantes au Salon d’Angle de la Direction Reginale de Affaires Culturelles des Pays de la Loire, c1989

9. John Coplans: Self Portraits, Liverpool FGallery, Brussels, c1992

10. Hand: John Coplans, Galerie Lelong, c1988

11. John Coplans Autoportraits, Centre de la Vieille Charite Marseille. c1989

12. John Coplans: A Self Portrait, Liljevalchs Konsthall, c2000

13. Investigations in Perception, Joseloff Gallery, c1992

14. Another Objectivity, Centro per l’Arte Contempranea Luigi Pecci, Prato, c1989

15. New Vision 56-66, Bede Gallery, c1984

16. Roy Lichenstein: Ce que je cree, c’est de la forme, Entrertiens, 1963-1997, Editions de Centre Pompidou, c2013

17.  Bodies We Fail: Productive Embodiments of Imperfection, Transcript Culture and Theory Publishers, c2014

18. Macula 3 / 4, Publie Avec Concours du Centre National des Lettres, c1978

19. Andy Warhol: Silkscreens from the Sixties, Schirmer/Mosel, c1990

20. Histoire de la Virilite, Seuil Publishers, c2011

21. Images du corps, Maison de la Cultre Namur, c1997

22. Gender Beyond Memory: The Works of Contemporary Women Artists, Tokyo Museum of Metropolitan Photography, c1996

23. The Bayer Collection: From Beckmann to Warhol, Art of the 20th and 21st Centuries, Wienand Publishers, c2013

24. West Coast: 1945-1969, Pasadena Art Museum, c1969

25. The Epic & The Everyday: Contemporary Photographic Art, The South Bank Centre, c1994

26. Weegee The Famous, The International Center of Photography, c1977

27. Israel Museum, c.1969 (Hebrew language—title unknown)

28. Dewain Valentine: Recent Sculpture, Pasadena Art Museum, c1970

29. Pop Art USA: An Exhibition Presented by the Oakland Art Museum and the California College of Arts & Crafts; Organized by John Coplans, The Oakland Art Museum, c1963

30. Robert Irwin, Pasadena Art Museum, c1968

31. Tony DeLap, Felix landau Gallery, c1966

32. Jewel Stern/Project Skyline, Museum of Modern Art, Oxford, c1982

33. Twentieth Century Sculpture, The University of California, Irvine, c1965

34. John McLaughlin, The University of California, Irvine, c1971

35. Body of Evidence: The Figure in Contemporary Photography, Cleveland State University Art Gallery, c1995

36. The Male Nude In Contemporary Photography, Temple University Press, c1991

37. Heroes Caidos: Masculinidad y Representacion, Espai d’Art Contemprani de Castello c2001

38. Le relations du corps, L’Arachneen Press Paris, c2011

39. Ed Ruscha: Huit texts Vingt-trois enrttiens, JRP/Ringier Press, c2009

40.  He: The Hergott Shepard Photography Collection, The University of Michigan Museum of Art, c2014

41. Roy Lichtenstein, Edited by John Coplans, Praeger Publishers, c1972

42.  “Ethik & Unterricht,” Friedrich-Verlag, Stuttgart, c2014

43. “Meisterwerke der Kunst,” 63, Neckar-Verlag GmbH, Villingen-Schwenningen, c2014

44. “Where Are We Now? Baertling, Balta, Becher, Coplans, Genzken and West,” Jarla Partilager, Berlin, c2015

45. “Der Kunstler und sein Ich,” Staatsgalerie Stuttgart, c2016

46. San Francisco Museum of Modern Art: 360 Degrees, Views From the Collection.  SF MoMA. c2016

47. Recontres de Bamako: Biennale Africaine de la Photographie, 10 eme edition, Kehrer Publishers, c2015

48. Stories From the Camera: Reflections on the Photograph, Edited by Michele M. Penhall, The University of New Mexico Press, c2015

49. Une Collection: Maison Europeenne de la Photographie, Maison Europeenne de la Photographie, Actes Sud/MEP, c2015

50. Saunders, Richard H. American Faces: A Cultural History of Portraiture and Identity. University Press of New England, c2016